a5c7b9f00b In the 60's, the CIA agent Napoleon Solo is assigned to bring the mechanic Gaby Teller from East Berlin to the other side of the wall. Gaby is the daughter of the scientist and American collaborator Udo Teller that defected from German at the end of WWII and now has vanished. They are chased by KGB agent Illya Kuryakin but they succeed to escape. Soon Napoleon Solo's chief Saunders discloses that Gaby's uncle Rudi works for the wealthy Alexander and his wife Victoria Vinciguerra and Udo might be secretly building a nuclear weapon for them. Napoleon Solo is forced to team-up with Illya and Gaby and they go to Rome to investigate.
1963. Napoleon Solo is a suave and urbane C.I.A. agent. He was once a criminal, but the C.I.A. believed his unique talents would be of better service to the countrya spy than they would be if he was behind bars. His current case is to locate Dr. Udo Teller, a famed German rocket scientist who had been working for the Americans on their nuclear program since the end of WWII until he disappeared without a trace two years ago, that is until he was recently photographed in Rome. Napoleon manages to smuggle Teller's biological daughter, Gaby Schmidt, out of East Berlin to the west in order to locate Teller. The Americans don't believe she knows anything about his whereabouts - her father who she has not seen or heard from in eighteen years - but that she can influence some who do, namely her Uncle Rudi who is an executive at Rome-based Vinciguerra Shipping, owned and operated by husband and wife Alexander and Victoria Vinceguerra. The company is purportedly the front for the development of nuclear weapons, the major national intelligence agencies suspecting that Victoria, the brains behind the operation, having kidnapped Teller to build her an atom bomb. Because of the global implications, Napoleon is forced to work on this case with KGB agent Illya Kuryakin. Beyond the east-west divide between the Americans and Soviets, Napoleon will have a difficult time working with his new partner due to their recent not so pleasant encounter in East Berlin, and Illya's volatile and violent temper, which can cloud what he does professionally. As Napoleon, Illya and Gaby work on the case - their success or failure which may determine world order - what happens is affected by other players in the picture which they do not know about, and the Americans and Soviets working arguably on their own different agendas.
A charming and entertaining film with a very easy-going tone and with some what cheesy feel to it that sort of works. Bringing back the 1960's to life with some classy producing and editing skills this film is based on the TV-series that ran between 1964-1968 with Robert Vaughn and David McCallum in the leading roles. Guy Ritchie is now back with his first screenplay movie since RocknRolla adding the uprising Hollywood star Alicia Vikander from Sweden to the United Network Command for Law and Enforcement team. The other two team members of U.N.C.L.E. that have no choice but to work together against some sexy and hot Italian villains working to proliferate nuclear weapons are KGB operative Illya Kuryakin played by Armie Hammer and CIA agent Napoleon Solo (Henry Cavill) with Waverley (Hugh Grant)their boss. Set up in Italy with what looks like to be a huge bunch of models filmed in amazing settings the film ends with a huge flirt for a new film franchise.
The Man from U.N.C.L.E. is directed by Guy Ritchie and it stars Henry Cavill, Armie Hammer and Alicia Vikander. The movie also has a lot of, I wouldn't really call them cameos, but includes other notable stars like Hugh Grant.<br/><br/>The movie really tries to be a throwback to spy movies of the 1960's and the TV show of the same name, and I think it really worked most of the time, Guy Ritchie actually did a pretty good job directing this. I would even dare to say (as a huge fan of Snatch) this is Rithie's most stylistic movie. The movie looks great, nearly every shot is very stylish and cool. But the main problem I have with the film is that it is simply so much style over so little substance.<br/><br/>Don't come into this movie expecting to see anything new, here, you have your basic spy movie plot: Two spies that don't really like each other but have to work together have to stop some evil people that have a bomb, etc. You've seen this stuff before. And it may work in the sense that the movie is a throwback to the spy films of the 1960's but the truth is thata modern viewer, most of the plot may simply come offuninteresting.<br/><br/>I'm not trying to say I wasn't entertained by the movie, cause I really was. Although the plot was predictable and not really interesting I really enjoyed Cavill and Hammer's chemistry on screen. Also, by now I'm a pretty big fan of Alicia Vikander, who was amazing in Ex Machinawell. The rivalry between the CIA agent vs. KGB agent is pretty fun to watch. I mentioned Hugh Grant earlier and the truth is every scene he's in he just steals it, he's great in this.<br/><br/>In the end, this is a spy movie with endless clichés, from start to finish, from characters to villains, so it's pretty predictable. But The Man from U.N.C.L.E. manages to entertain. It's fun that won't make your brain work hard, and it's also pretty funny.
How is that Vikander, who played the robot in the recent (and worthwhile) "Ex Machina," was twicelively and five timeshuman in that picture than in The Man from U.N.C.L.E.?
The film is based on the television series of the same name that ran on NBC from 1964 to '68. The series was an espionage adventure about two secret agents, Napoleon Solo (<a href="/name/nm0001816/">Robert Vaughn</a>) and Illya Kuryakin (<a href="/name/nm0564724/">David McCallum</a>) who worked for an organization named the United Network Command for Law and Enforcement (U.N.C.L.E.) The series was different from most other spy series of the time in that the agents were not acting on behalf of any country or government, but a private organization that was dedicated to fighting crime and evildoers. This was evidenced by the fact that the two agents on the series were an American (Solo) and a Russian (Kuryakin) working together during the Cold War. Their primary antagonist was a criminal network knownTHRUSH which was dedicated to taking over the world. No. No, but some extra information about some of the characters are shown during the credits. See here or here for more information.
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